In Hungarian filmmaker Katalin Moldovai’s WITHOUT AIR, which just had its World Premiere at the Toronto International Film Festival, a beloved high school teacher has to endure a scandal after recommending a film to her literature class. The plot has some similar elements to Dead Poets Society and Radu Jude’s equally wonderful Bad Luck Banging or Loony Porn, but unlike those, Moldovai’s film is an understated one that still manages to pack a big punch.
Ana, played with great conviction by Agnes Krasznahorkai, suggests that her students watch Agnieszka Holland’s 1995 film Total Eclipse in order to have a better understanding of Arthur Rimbaud’s poetry. When one of the parents finds out about it, he files a complaint against Ana for promoting homosexuality to students. The ensuing scandal turns Ana’s life into a nightmare.
Without Air was described as absurdist in the festival notes. I wish we lived in a world where all this was universally considered absurd. It is unfortunately pretty realistic and we hear of similar stories from everywhere in the world including the US. The end credits state that it is actually based on a true story.
The director observes the ugly side of humanity with a keen eye. The supporting characters reminded me of the ones in Fassbinder’s films. There is no melodrama here however. A few key plot points even happen off-screen.
There are well constructed tracking shots and compositions. The eerie synth score by Gabor Kerekes is effectively used as Ana’s life and career are ruined with every investigation and hearing she has to endure. It all leads to a powerful ending. I’m already looking forward to what Moldovai will do next.
